Sanchit Bembi is a mixed-media artist working across digital photography, film, and interactive art. His practice emerges from living with synesthesia & visual snow syndrome, a neurological conditions that cause his vision to constantly shift with unexpected colours, distortions, & visual static. Rather than treating these experiences as limitations, he has developed a play-based methodology centred on digital fermentation & cybernetic algorithmic corruption, where photographic data undergoes iterative cycles of decay & reconstruction to mirror his perceptual reality. His work has been exhibited at Conditions Studio (September 2025), London Design Festival, Serpentine Gallery, & in public spaces across Berlin. He holds an MA in Design from Goldsmiths & is currently a Digital Lab Fellow at Conditions Studio exploring emerging technologies & interactive art. His current practice centres on two photographic series: Sound as Decay, which explores concert photography through chromesthetic perception where sound translates into visual noise, & Motion as Dissolution, examining how movement transforms into spectral, painterly traces. Both series use algorithmic corruption to challenge photography's claim to objective truth, positioning neurological difference as generative creative methodology. Trained in interactive art at the School of Machines in Berlin, his practice maintains a spirit of experimentation & play—treating camera and digital processes as cybernetic collaborators.